Not as in good health famous as Ajanta yet and interest are the rock-cut caves of Pitalkhora in the Satamala go of the Sahyadri hills. near are thirteen caves, set high up on the hill, overlooking striking ravines. scores of of the caves delimit carvings and paintings with the aim of appointment from the 1st century B.C. to the 5the century A.D. They were open later than Ajanta and are originator mentioned in a periodical of 1853 wherever Caves 3 and 4 are described.
Several of the carvings as well as the paintings experience been dented by the withstand and vandals. The caves show to be of the ahead of schedule Hinayana stop of Buddhism and are contemporary to the supplementary rock-cut Buddhist temples in western India. They were almost certainly excavated and fixed at some point in the Satavahana-Kshaharata regimes. at hand appears to be a successive age of forsaking and re-occupation a good deal soon after in the 5th century A.D. at some point in the Vakataka rule. In the Hinayana Buddhist phase no imagery of Buddha or Bodhisattvas (celestial beings personifying the virtues of Buddha and attendance to the requests of the people) look in spaces of worship and not an iota can be seen in the caves of Pitalkhora aside from for the paintings in Cave 3, which fit in to the soon time of occupation. For the reason that of their locations the caves bear been divided keen on two groups. Caves 1-9 look north and east and are adjacent to apiece other. These are in collection I. On the further boundary of the hill, facing southwards are Caves 10-14 which put up up assemblage II. Several of the caves have crumbled and are shoddily damaged. Cave 1 looks akin to a titanic usual opening. here are indications of cells and door supports and it may have fashioned an widespread Vihara or monastery.
Caves 2, 3 and 4 reveal the equivalent forecourt and are presumed to be of the same period. The separating hedge stuck between 2 and 3 has disappeared, 2 was a Vihara and has an out of the ordinary rock-cut drain which prevents water commencing flowing into Cave 3 which was a prayer hall. The unsurpassed paintings are in Cave 3. These emerge on the pillars and piece walls. 37 pillars old to detached the aisle beginning the corridor and these were donated by yourself as inscriptions on the 10th and 11th pillars, on the right, indicate. The donors of both these pillars were residents of Paithan. Steps hint gulp down to a basement containing several carvings. pink crystals and other reliquaries were create in the stupa here.

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